Van Gogh was one of the first people to be homeless in Paris, but he didn’t want to be.
His story of survival and rebirth inspired the work of many artists.
Now, his work is being used in a new documentary film, “Dances With Wolves,” about the art of homelessness.
The film, which opens in theaters this week, follows Van Goghan through a year of living with mental illness.
It’s part of a growing trend in French film, said Anne-Lise Brissot, a professor at the Centre for Human Rights Studies at the University of Paris.
“The documentary films are not just about the artist.
They are also about their story and about the story of the homeless person,” she said.
“This film is a part of that process.”
The film follows Van Zandts’ transformation into a painter, and he tells his story to help viewers understand the work he does.
He’s also asked about his relationship with his daughter, who is now a refugee and lives in a refugee camp in Greece.
The filmmaker’s film, titled “Romeo and Juliet,” tells the story, with the pair having their first conversation in a Paris bar.
It premiered at the Sundance Film Festival in January and was nominated for the 2017 BAFTA.
“It’s very hard to explain to someone that this is their father,” Van Goggy said of his father’s story.
“I am very sad.
He is not a human being anymore.
He isn’t a person.
He has no life.
He can’t get out of the house.
He doesn’t have a job.
He works at the bar and I’m trying to make a living as a painter.”
The portrait of Van Goigans first encounter with homelessness The painter’s story is the story the filmmaker wants to tell about the work.
It has long been the story in French art that art is the means of expression.
It is also a story that many artists tell to help their art come to life, Brisset said.
It was the case with Van Googers work, Briscot said.
He wanted to show the work, and the work shows that.
“Van Gogh knew he wanted to become a painter,” she explained.
“He knew he would have to make this work because he was going to die.”
He wanted a portrait, Brisket said, and in Paris he painted “the portrait of his death.”
“We all want to see what the artist has to say.
So he did this painting with a single hand, and we have no idea what the painting is saying.
It may be about his own life, his father, or about the city, and how it all is coming apart,” she added.
Van Goagans work is based on his experience as a homeless person.
The artist was an apprentice in Paris and the city was full of artists and artists had to work from home because the city didn’t have electricity or running water.
He also experienced homelessness, Brisquot said, because he had lost a job at the time of the riots.
The painting was meant to be an act of protest, Brissett said, but it also was a reflection of the artist’s life.
The work also is about Van Goggans own struggles.
Van gogh has said that his father was an alcoholic and that he tried to kill him.
“They both had the same problems, they both had a lot of problems, and they both didn’t understand that the artist could be different,” Brissott said.
The portrait shows Van Goegans work as a reflection on that.
It tells the viewer the artist doesn’t understand the homeless situation, Brisett said.
Vangogh was homeless for three months, and Brissart said his father often told him stories of homelessness that were meant to help the artist understand what he’s going through.
“What we are doing is a reflection, and a story, on the artist,” she told ABC News.
“That’s what we are saying.
He didn’t say this to be funny.
He said this to give his father a chance to understand that this was his father and his father is a human.
Art is about people, and art is always a dialogue. “
For me, art is not just a piece of paper.
Art is about people, and art is always a dialogue.
It takes time to get to that point, but that’s the beauty of art.”